There is still time to register for tomorrow’s and Tuesday’s, June 29th and 30th, Morris Everett Jr. Collection Auction being held by Profiles in History. The first in a series of planned auctions gives collectors an opportunity to own a part of Morris Everett’s almost 200,000 piece collection of vintage movie lobby cards, posters & other ephemera featuring some of the most significant movie promotional pieces ever avaialble for auction.

Register to bid HERE.

View the auction lots HERE.

Highlights of the Morris Everett, Jr. Collection Auction, Part I (the first in a series to be auctioned by Profiles in History) included:

1. The most legendary Horror, Fantasy and Science-Fiction titles, represented by posters and lobby cards from:

Cabiria (1914); The Cabinet of Dr. Caligari (1922); The Ghost of Slumber Mountain (1925); Metropolis (1927); Frankenstein (1931); Dracula (1931); The Mummy (1932); King Kong (1933); Bride of Frankenstein (1935); Mad Love (1935); The Wizard of Oz (1925 and 1939) and dozens more.

2. The most comprehensive range of classic silent Buster Keaton titles ever offered in one sale, including Three Ages (1923); The Cameraman (1928), Our Hospitality (1923), Sherlock Jr. (1924), The General (1926) plus numerous early short-subject rarities.
3. Extensive range of the best Laurel & Hardy short-subjects and early features, including Double Whoopee (1929, with Jean Harlow); The Music Box (1932); Pardon Us (1931); Sons of the Desert (1933) and numerous others.
4. One of the finest offerings in any public sale to date of every classic Marx Brothers title, from The Cocoanuts (1929) through Animal Crackers (1930), Duck Soup (1933), A Night at the Opera (1935) and all the way to Love Happy (1949).
5. Selected highlights from the golden age of The Three Stooges (with Curly Howard), including Dancing Lady (1933); Horse Collars (1934); Dizzy Doctors (1937); Mutts to You (1938); I’ll Never Heil Again (1941) and more.
6. Exceptional rarities of Sports and athletic performance in film, including Babe Ruth in Babe Comes Home (1927) and Play Ball (1932); Jack Dempsey in Fight and Win (1924) and others; Harry Houdini in The Grim Game (1919) and others.
7. Pre-Code sex-symbols like Jean Harlow, Barbara Stanwyck, Myrna Loy, and Norma Shearer in such egregious code-breaking films as The Bitter Tea of General Yen (1932), Baby Face (1933), Red-Headed Woman (1932), The Divorcee (1931), Madam Satan (1930), The Mask of Fu Manchu (1932) and many others.
8. Near-complete coverage of the careers of timeless style icons Louise Brooks and Marilyn Monroe with titles like American Venus (1925), Beggars of Life (1928), The Canary Murder Case (1929), Dangerous Years (1948), All About Eve (1950), The Seven Year Itch (1955), The Prince and the Showgirl (1957), etc.
9. Extensive coverage of Alfred Hitchcock’s career from The Man Who Knew Too Much (1934) all the way through to Psycho (1960) and The Birds (1963).
10. The rarest early appearances for such screen icons as Lon Chaney, Jr., Humphrey Bogart, John Wayne, and others in films like The Unknown (1927), Mr. Wu (1927), Up the River (1930), A Devil with Women (1930), A Holy Terror (1931), Telegraph Trail (1933), Stagecoach (1939) and many, many more.